About Me

Manja McCade – Painting what can’t be said

I am Manja McCade, a contemporary artist living and working in Dessau — a city shaped by the spirit of the Bauhaus and the quiet force of reinvention. After more than a decade in Leipzig, I relocated here in 2024 to find space, stillness, and a deeper connection to my materials and ideas.

My work unfolds on old fabrics — antique linens, found textiles, materials that carry memory in their fibers. These surfaces, already marked by time, become collaborators in the act of painting. They speak of lives lived, of silence, softness, labor, loss. Onto them I layer oil, line, and gesture — sometimes raw and impulsive, sometimes meditative and spare. Every painting becomes a trace. A question. A fragment of something deeply human.

Themes of vulnerability, resistance, and transformation run through all of my work. They are personal and political, intimate and collective. Art is never neutral. It holds history. It holds heat.

My commitment to artistic activism led me to create work in support of Julian Assange, including a deeply resonant project titled Belmarsh Live. In it, I translated the isolation and urgency of his imprisonment into an art installation and visual storytelling — confronting injustice, bearing witness, and keeping the conversation alive through art. That project was not just about him; it was about all of us. About freedom. About truth. About the cost of silence.

Now, with Julian free, the energy doesn’t disappear — it transforms. The fight becomes memory, and memory becomes art.

What remains central to my practice is this: I paint what can’t be said. What is felt in the body. What lingers in silence. What resists being forgotten.

If you step close to my paintings, you might find a piece of yourself in the layers — or a moment that refuses to fade.

Black and white portrait of a person with short hair and expressive eyes, leaning against a textured wall, with a blurred background.
People viewing paintings at an art gallery, with various colorful artworks on gray walls and a small group engaging with each other.

✨ Exhibitions

My exhibition journey began in 2016 in London, when my work “Nowhere To Go” was selected as one of the five best pieces in the ArtRoom exhibition at Le Dame Gallery — out of more than 800 applicants. Since then, my paintings and installations have been shown across Europe and the U.S., including digital exhibitions in Miami, New York, and Barcelona.

A deeply formative moment came in 2019, when Yoko Ono selected my conceptual work “Let’s Heal the World with Love” to be included in her major retrospective Peace is Power at MdBK Leipzig. This was my first experience showing work in a museum context — and to have it shown alongside Ono’s own was a milestone I carry with gratitude.

From 2018 to 2024, I participated in and curated multiple exhibitions at Salonrouge Leipzig, creating intimate, evolving dialogues between my work and others.

In 2022, my installation “Belmarsh Live” was presented at Projektraum 145 as part of the Noisy Leaks exhibition, alongside pieces by Ai Weiwei, Daniel Richter, Sarah Lucas, and others — a space for political and poetic resistance. From 2022 to 2024 this installation was on the road with me.

Looking ahead, solo and group shows are already in motion for 2025 and 2026.

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