Details:
Size: 100 × 70 cm
Oil on antique handwoven linen from 1910
stretched on wooden frame
Signed at the front and back
with Certificate Of Authenticity
About the artwork:
"Soft Interference" is painted on handwoven linen from around 1910. I love working on old fabric like this — it already carries time, traces, and tiny irregularities that you can’t fake. The surface responds in unpredictable ways, and instead of fighting it, I let it guide me.
I didn’t approach this piece with a clear image in mind. It grew through small decisions: adding a line, interrupting a shape, softening one area and pushing contrast in another. The linen absorbs the paint unevenly, creating these gentle disruptions in the flow — little “interferences” that became the core idea of the work.
For me, this painting is about letting the process stay open. It’s a balance between control and letting go, and allowing something to emerge that I couldn’t have planned
Details:
Size: 100 × 70 cm
Oil on antique handwoven linen from 1910
stretched on wooden frame
Signed at the front and back
with Certificate Of Authenticity
About the artwork:
"Soft Interference" is painted on handwoven linen from around 1910. I love working on old fabric like this — it already carries time, traces, and tiny irregularities that you can’t fake. The surface responds in unpredictable ways, and instead of fighting it, I let it guide me.
I didn’t approach this piece with a clear image in mind. It grew through small decisions: adding a line, interrupting a shape, softening one area and pushing contrast in another. The linen absorbs the paint unevenly, creating these gentle disruptions in the flow — little “interferences” that became the core idea of the work.
For me, this painting is about letting the process stay open. It’s a balance between control and letting go, and allowing something to emerge that I couldn’t have planned